Review:
This review is part of writhaus’ coverage of the 1982 Film Fest at the Areo Theater in Santa Monica, Calif.
By 1980, Jim Henson was ready to branch out from normal muppets and tell a new kind of story with his creations. This story took the form of a fantasy tale filled with mysticism entitled The Dark Crystal. Henson’s friend Frank Oz directed; his normal crew of muppeteers commanded the creatures.
In a world ruled by the avian Skeksis, their power flows from the Dark Crystal. Their rule is merciless as they pillage the realm for what they need. As their emporer dies, we are introduced to the Mystics, the Skesis’ antithesis. Their master also lies dying. He calls his young charge to his side, and from there the story focuses on the quest of Jen, who is thought to be the last Gelfling. There is a prophecy, and Jen will play a role in it. His quest will change him and his world forever.
The film is one that either works or doesn’t work for you. I am in the former group. The muppet tech involved completely transported me into this world. Everything feels vibrant and alive. The film honestly made me care about what would happen should the Skeksis take complete control. I wanted Jen to succeed in his mission.
One integral part of this film is the haunting and beautiful score by Trevor Jones, one of the earliest to mix symphony and electric elements. The main theme is such that it stays with you long after the film is over.
The print screened for American Cinemateque’s 1982 Film Fest was virtually pristine, although some dust appears, and there was heavy grain during the opening and close. This grain is readily apparent in home versions, but is obviously part of the source, for better or worse.